075 Office Space

Damn, it's good to be a gangster! Matt and Mark review the 1999 cult classic Office Space by Beavis and Butthead creator Mike Judge. An existential film if there ever was one, Office Space mines the heart of darkness lurking in the quiet desperation of our ubiquitous industrial parks. In lamenting the soullessness of modern corporate life, Judge releases subtle comedic gold. We've all met Lawrences and Lumbergs, but Judge is able to introduce you to these archetypes deftly and without the heavy-handedness typical of more mainstream Hollywood comedies.

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074 Jaws

Mark's virgin viewing of the high-concept classic Jaws, from sophomore director Steven Spielberg. Mark gets to the heart of his prejudice against Spielberg and tries not to bring his baggage into the review, but we both find it fairly hard to defend the director's later efforts. Despite his reliance on emotional claptrap, Spielberg delivers a terrifying fish story held tight by the superb acting trio of Scheider, Dreyfuss, and Shaw.

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073 The Virgin Suicides

You miss them until they're gone... such is the paradox of the ephemeral and beautiful teenage girl. This week Matt and Mark try to get to the bottom of a film that admits it has no answers, Sophia Coppala's The Virgin Suicides. An extremely evocative film, it deftly plays with the idealism of youth juxtaposed to the tarnished mediocrity of adulthood, allowing you only brief empathetic glimpses into the life of adolescent girls.

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072 Blazing Saddles

The originator of the first cinematic fart joke, Mel Brooks hits his farcical stride in the 1974 film Blazing Saddles. Exploiting exploitation itself, Brooks manages to charm his audiences with the absurdity of our shameful national history. Both making fun of the Old West and the titular film genre of the 50's and 60's, Brooks uses every gag known to man, making its cheap laughs nearly transcendent. So fix yourself a plate of beans and a pot of coffee and join in on the gastrointestinal hilarity.

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071 The Dark Crystal

Another world! ... Another time! This week Matt and Mark review the Jim Henson Frank Oz puppet show masterpiece The Dark Crystal. A marvel of classic special effects, TDC proves to be an evocative film minus its human-free celluloid. Marketed as a children's movie, it challenges youthful sensibility with a touch of Grimm's fairy tales, and in so doing, gives its viewer the benefit of the doubt. So forget James Cameron's heavily borrowed Pandora and settle in to the more imaginative world of The Dark Crystal.

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070 Faster, Pussycat! Kill! Kill!

Matt and Mark delve into the big-boobed world of Russ Meyers this week when we review the 1965 cult classic Faster, Pussycat! Kill! Kill! We attempt to explore the feminist angle of FPKK by juxtaposing the Varla character with the typical male-dominated action roles. What we get is an interesting hyperbole of exaggerated misogyny that may speak more truth then most men can admit.

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069 Reservoir Dogs

Well, it's about time we got around to reviewing a Quentin Tarantino film ("Quarantino", if you're not into that whole brevity thing, man). A cult film if there ever was one, Matt and Mark discuss the seminal classic Reservoir Dogs. Along with its violence, R'Dogs capitalizes on the subtle yet intriguing nuance of everyday guy conversations, whether its pop-culture musings or humorous anecdotes. Tarantino's dialogue is where he's always been the strongest, which of course is not to sell the film short for its storytelling chops, which QT deftly wields.

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