A discussion of cult films by two guys located in a basement somewhere in the Pacific Northwest. Matt holds a B.S. and M.S. in physics, and works as an aerospace engineer. Mark holds a B.S. in biochemistry and works as a research technician... both are graduates of Snohomish High School Class of 91/92 respectiviely, none of which qualifies them to discuss film in any meaningful way... so... "caveat emptor" and all that.
In the year 2024... 'bout 6 years from now... we'll all be living off the carcass of a buried civilized world. At least that's the setting for the Ellison adaptation, A Boy and His Dog. A great piece of science fiction, what ABaHD gets right is that the character of Vic is truly a creation of his world and not a mere avatar from ours. He does not need to justify his serial raping and pillaging. His morality is a construct of a post nuclear Phoenix Az. Which, of course, puts him at odds with the weird down-under cult inhabiting an underground vault of 20th Century Americana. A unique film, ABaHD delivers a world without expostiion, and in doing so, bids a healthy f**k you to Disney's Shaggy Dog franchise.
Summertime and the living is... slow... slow-rolling. But we're back! This week (this time?) we review the Crichton classic Westworld, the movie that started it all (at least the critically acclaimed HBO series). Inspired by Disneyland's Pirates ride, Chrichton builds an "anything goes" theme park filled with human emulating robots. When programming goes wrong, the machines rise up! With little spin on the original 1920's robot themes, Westworld does create a sense of wonder with regard to artificial worlds and our forever pining to escape into them.